Presents
Joseph Wölfl
String Quartet No.1 in C Major, Op.4 No.1-New Edition
“Wölfl’s string quartets are very accomplished as to style and technique, as one might expect from someone who was a very accomplished musician and who had studied with some of the best teachers of the time.”—–The Chamber Music Journal. In fact, when you hear Wölfl’s string quartets it is hard to understand how he has flown under the radar for so long a time. In our opinion they are in a league with those of Haydn and the best of Wranitzky and Krommer. Joseph Wölfl (1773-1812, the name is often spelled Woelfl) was born in Salzburg. He studied violin, piano and composition there with Leopold Mozart (Wolfgang’s father) and Michael Haydn (Joseph’s brother). In 1790, he moved to Vienna where it is thought he briefly studied with Wolfgang Mozart. Wölfl became a virtuoso pianist and was sometimes considered to be Beethoven’s equal. It was on Wolfgang’s recommendation the Wölfl was able to procure a position with Count Michal Casimir Oginski as a piano teacher in Warsaw. During the political upheavals in Poland he returned to Vienna and then began a career as a touring concert pianist, eventually settling in Paris (1801-1805) and then London where he spent the rest of his life. Wölfl wrote operas, ballets, symphonies, works for piano, songs and quite a lot of chamber music, including some 25 string quartets, 3 string quintets, 15 standard piano trios and several others for various instrumental combinations with piano. In addition to this, he wrote dozens of sonatas and other works for violin and piano, flute and piano and harp and piano.
Op.4 No.1 in C Major is the first of a set of three which date from 1798. In the opening movement, Allegro, a dotted 8th and 16th theme dominate. It is passed from voice to voice a la Haydn. The second movement, an Allegretto, which begins with pizzicato, is a theme and set of variations. A clever and very Viennese Menuetto and trio come next. The finale, a Presto rather resembles an exciting steeple chase.
We believe this work belongs in the repertoire and makes an excellent alternative to the inevitable Haydn or Mozart, which is why we have gone to the expense and trouble to create a new modern edition which is based on the original. It has been carefully edited by senior editors Tomasz Golinski and R.H.R. Silvertrust.
Parts: $24.95
Parts & Score: $34.95
