Presents
Franz Krommer
String Quartet in C Major, Op.7 No.1-New Edition
“No quartet ensemble should miss the opportunity of playing Krommer's appealing string quartets. Along with Haydn and Mozart, he is one of the Viennese classical era greats."---The Chamber Music Journal
Franz Krommer's Op.7 No.1 in C Major is the first of a set of three dating from 1797. These quartets served to establish his name and reputation throughout Europe. They were originally printed by Gomberg in Augsburg, the by Andre in Offenbach, then in France, Denmark and even the United States. The opening movement, Allegro con brio, begins with a chirpy, energetic theme. Several 16th note passages add even more excitement to the affair. One immediately notices that the cello and viola are more generously treated than is typically found in either Haydn or Mozart's quartets, except for Mozart's cello quartets with which they are on a par. The second movement is a deep, heart felt Adagio. Next comes a Haydnesque Menuetto allegretto with a bumptious trio section. The quartet is topped off with a toe-tapping Rondo.
ranz Krommer (1759-1831) was born in town of Kamnitz then part of the Habsburg Austrian Empire (today Kamenice in the Czech Republic) It had a mixed population of Germans and Czechs and though baptized František Vincenc Kramář by the time he was 15, Krommer began using the Germanized version of his name for the rest of his life, the name by which he beame known to the world. Krommer was one of the most successful composers in Vienna at the turn of the 18th Century. His reputation was attested to by the fact that his works were frequently republished throughout Germany, England, France, Italy, Scandinavia and even the United States. According to several contemporary sources he was regarded with Haydn as the leading composer of string quartets and as a serious rival of Beethoven. Krommer was a violinist of considerable ability who came to Vienna around 1785. For the following 10 years he held appointments at various aristocratic courts in Hungary. He returned to Vienna in 1795 where he remained until his death, holding various positions including that of Court Composer (Hofmusiker) to the Emperor, Franz I, an enthusiastic quartet player. He was the last composer to hold this august title and one of his duties was accompanying the Emperor on his various campaigns so that he could relax in the evenings playing quartets. There are more than 300 compositions which were at one time or another published, much of which is chamber music. He wrote more than 70 string quartets, 35 quintets, perhaps as many as 15 string trios, but also several works for winds and strings. There are more than 300 compositions which were at one time or another published, much of which is chamber music. He wrote more than 70 string quartets, 35 quintets, perhaps as many as 15 string trios, but also several works for winds and strings. Of Krommer's string quartets, the famous chamber music critic Wilhelm Altmann, in his Handbook for String Quartet Players writes, “Krommer knew how to write for string instruments and as a result what he wrote sounds brilliant.”
It's a shame that fresh-sounding works like this are never heard in concert where they are sure to please audiences. And amateurs will wonder why they haven't had a chance to play such pleasant music from the classical era before now.
Parts: $24.95
Parts & Score: $34.95
