Presents
Franz Krommer
String Quartet in F Major, Op.26 No.2--New Edition
Franz Krommer's String Quartet in F Major, Op.26 No.2 is the second of a set of three completed in 1800 and published the following year by the Viennese firm of Artaria. It was dedicated to Adam Rzyszczewski, a minor Polish count who presumably commissioned the work. The work is in four movements. The opening Allegro moderato begins in a genial and more relaxed mood than is typical for Krommer opening movements, but soon the pace picks up with considerable excitement. The second movement, Andante, has a lovely melody for its main theme. And while not so marked, the movement is actually a set of variations. This is followed by a playful Menuetto allegretto. The theme is characterized by its frequent use of appoggiaturas. There is a nicely contrasting trio section. The finale an Allegro in 6/8 gives off the feel of leisurely country ride on horseback.
Franz Krommer (1759-1831) was born in town of Kamnitz then part of the Habsburg Austrian Empire (today Kamenice in the Czech Republic) It had a mixed population of Germans and Czechs and though baptized František Vincenc Kramář by the time he was 15, Krommer began using the Germanized version of his name for the rest of his life, the name by which he beame known to the world. Krommer was one of the most successful composers in Vienna at the turn of the 18th Century. His reputation was attested to by the fact that his works were frequently republished throughout Germany, England, France, Italy, Scandinavia and even the United States. According to several contemporary sources he was regarded with Haydn as the leading composer of string quartets and as a serious rival of Beethoven. Krommer was a violinist of considerable ability who came to Vienna around 1785. For the following 10 years he held appointments at various aristocratic courts in Hungary. He returned to Vienna in 1795 where he remained until his death, holding various positions including that of Court Composer (Hofmusiker) to the Emperor, Franz I, an enthusiastic quartet player. He was the last composer to hold this august title and one of his duties was accompanying the Emperor on his various campaigns so that he could relax in the evenings playing quartets.
There are more than 300 compositions which were at one time or another published, much of which is chamber music. He wrote more than 70 string quartets, 35 quintets, perhaps as many as 15 string trios, but also several works for winds and strings. Of the string quartets, the famous chamber music critic Wilhelm Altmann, in his Handbook for String Quartet Players writes, “Krommer knew how to write for string instruments and as a result what he wrote sounds brilliant.” Among his dozens of quartets, Altmann singles out Krommer’s Op.24 as particularly fine and effective. He considered them on a par with those of Haydn and noted that each of the instruments is given grateful parts and solos, and violinists in particular can always learn something from playing the works of Krommer.
Here is a first class work, fresh-sounding and appealing, which would make a great program choice as an alternative to the inevitable Haydn or Mozart.
Parts: $29.95
Parts & Score: $38.95
