Presents
Emil Hartmann
String Quartet No.4 in c minor, Op.37
One prominent critic, writing about Emil Hartmann's String Quartet in C minor, op. 37, which dates from 1885, called it a fiery and dramatic work. On the manuscript, above the first bars of the opening movement, Hartmann wrote the Latin motto Tenax propositi, which means remain steadfast, resolute or determined. The opening movement certainly lives up to this. The first few bars of the quartet, which are marked Moderato, begin with a somewhat somber and serious phrase, which serves as a kind of signature motif. It appears again in the final movement. The main part of the movement is marked Allegro and here the music is dramatic and full of forward motion, however, there is a second and more lyrical subject stated by the first violin which appears after a while and which provides a nice contrast, as it is quite romantic and devoid of the tension in the first theme. The beautiful second movement, Andantino, is serene and uplifting. This is followed by a short, charminga Minuetto, unusual for the time as scherzi were more prevalent. The motif from the first few bars of the quartet appear again at the begining of the finale, Rondo. The somber mood of the motif quickly vanishes and gives to an upbeat and lively melody. A fine, singable second subject follows.
Emil Hartmann (1836-1898) was born in Copenhagen, the son of J.P.E. Hartmann, one of Denmark's leading mid-19th century composers. He studied mostly with his father. In Denmark, he held important positions as a church organist by which he earned his living. He composed in virtually every genre and his music enjoyed considerable success in Germany for many years. As this Serenade indicates, he was an accomplished composer with a gift for melody and a good understanding of the instruments for which he was writing.
IIt is a shame that such an effective work has been forgotten. Long out of print, it is our hope that both professionals and amateurs will take the time to make its acquainance
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